A lovely new review has just appeared for ‘Igboland’ on NetGalley:
“Set in 1960’s civil war era Nigeria, this book tells the story of Clem a Methodist Missionary and his wife Lydia who settle in Biafra/Igboland to work with the local populous and churches, clinics and schools. The story is told from Lydia’s point of view and grips from the very start with such attention to the smallest details whilst opening your eyes to the cultural, religious and political differences that they are challenged with.
“Set over a few years it shows the strain that a missionary’s wife has as someone without a ‘role’, ie she is not the missionary, but his wife and the search for self-recognition and finding her own identity. However, war, love, the local villagers and illness all drive wedges between the couple and the pressure on their relationship is huge.
“The story is very well written and you are there with them as they face West Africa together and come to terms with their lifestyle adjustments. The author has created something very special here that really gave me cause to want more of this style of writing that’s alive and thoroughly researched.
“A great book that was hard to stop reading!”
‘Igboland’ is inspired by my Mum’s diary from when my parents lived out in Nigeria for six years during the Biafran War. Their story is very different to that of Lydia and Clem, but the anecdotes, photos, letters and journal helped me to make the setting and context as accurate as possible. The novel itself explores love, marriage, faith and personal identity. The characters respond to the traditions and culture they find themsleves part of and have some very difficult decisions to make.
- How important is it that the narrative voice is that of an English woman?
- What does the novel have to say about female identity? Can a man really write a novel from a woman’s perspective?
- How is Protestant Christian faith explored? How do you feel about Christian missionaries going to other countries?
- What do you feel you have learned about Igbo culture and ‘Odinani’? Does it have anything to teach us?
- How important is the cultural and geographical setting to the narrative? Have you ever experienced a culture shock? How did you feel?
- The Biafran War continues throughout the novel in the background. Simplistically put, it was a civil war between the northern Muslim states and the Igbos in the south. Is the war typical of any other war? Is it an integral part of the novel or not? Does it symbolise anything?
- How are the themes of marriage and family explored in ‘Igboland’? Is there a moral or message being offered, or is it left ambiguous?
- Which of the characters are sympathetic or otherwise? What is their purpose in the novel? (Consider: Clem, Grace, Kwemto, Matthew, Mr Okadonye, Charlotte)
- Is the ending satisfactory? What feelings did you have while reading the novel?
10. Do you have any questions you’d like to ask the author? (His table manners have improved slightly since this picture was taken)
I am keen to hear any feedback you may have from your discussions. Please add comments below and I’ll be happy to respond to any questions and thoughts you have.
IGBOLAND is a novel set in Nigeria during the Biafran War.
Published by Crooked Cat Books on Wednesday 19th February 2014.
Click here to purchase/order your copy.